The original work, in bronze, was discovered in Azaila (Teruel), in 1919 and nowadays belongs to the National Archaeological Museum of Madrid. In the beginning, it was thought that this bust was the image of young César Augusto, but more recent studies have determined that it corresponds to a Hispanic gentleman who took part at the service of Julius...
The original sculpture, in white marble, was made around the year 135 A.D. and belongs to the Prado Museum (Madrid). It comes from the Roman ruins of Sagunto and was restored during the Renaissance by an individual called B. Rovira (the inscription of his name figure by the date of 1533), who sculpted a shell on the pubis and the inscription "Praxiteles's...
Roman copy of a Greek original from the 450 B.C. The original statue, in marble, comes from the Towley collection and is a Roman forgery of the work of Miron copy, for the head of this goes in the opposite direction to the original. The original sculpture belongs to the British Museum in London.
Antonio Canova's original sculpture, in marble, was made around 1805 to replace the Medici's Venus stolen and taken to France in 1802. This sculpture is known as Venus Italica or Canova's Venus. It belongs to the Palatine Gallery in Florence.
Roman copy of an original from the middle of the 2nd century B.C. The original sculpture in marble was made in the second half of the 1st century A.D. and belongs to the Prado Museum (Madrid).
The original white marble sculpture was made around the year 135 A.D. and belongs to the Prado Museum (Madrid). It comes from the Roman ruins of Sagunto and was restored during the Renaissance by an individual called B. Rovira (the inscription of his name figure by the date of 1533), who sculpted a shell on the pubis and the inscription "Praxiteles's work".
Roman copy of an original from the 4th century B.C. The original statue, in marble of Paros, comes from the Villa Borghese in Rome and belongs to the Louvre Museum (Paris).
The original krater, in marble, is dated around the year 50 B.C. Nowadays it belongs to the Prado Museum (Madrid) with the title "Neoattic krater with centauromachy".
The original relief, in marble, was part of the western frieze of the Parthenon and belongs to the British Museum in London.
It is one of the two fragments of the relief that represents the train of Dionysus, the satyrs and maenads who delight God with music and dancing. The original work, in marble, dating from the 1st century B.C. Nowadays it belongs to the Prado Museum with the title "Dancing in honor of Dionysus".
Beautiful copy of the panel from the Temple of Athena Nike in the Acropolis of Athens. Nike, the goddess of Victory, relaxes to tighten her sandal. This marble work is an typical example of the new artistic developments that, after having mastered the human anatomy, seek to use the figure as an expressive way, exhibiting attitudes and introducing on...
The original relief, in marble, was made between the year 120 and 140 A.D. Nowadays it belongs to the Prado Museum (Madrid) with the title "The dance of the maenads" and numbered "E00042" in the catalogue.
The original relief, in marble, was made between the year 120 and 140 A.D. Nowadays it belongs to the Prado Museum (Madrid) with the title "The dance of the maenads" and numbered "E00042" in the catalogue.
Reduced copy of a mini sculpture donated to the Academy by Carlos III (inv.V-151). The original is a bronze bust that reproduces the head of the Doríforo of Policleto. It is signed by the Athenian sculptor Apolonio, son of Archias. It was found in the Villa of the papyrus of Herculaneum. It is conserved in the National Archaeological Museum of Naples
Reduced copy of a mini sculpture donated to the Academy by Carlos III. The original is a marble bust with the portrait of the King of Sparta, Arquidamo III. It was found in the Villa de los Papiros de Herculano. It is conserved in the National Archaeological Museum of Naples.
Reduced copy of a mini sculpture donated to the Academy by Carlos III. The original is a marble bust with the portrait of Filetero de Pergamo. It was found in the Villa of the papyrus of Herculaneum. It is conserved in the National Archaeological Museum of Naples.
Reduced copy of a mini sculpture donated to the Academy by Carlos III. The original is a marble bust with the head of Heracles of Polykleitos. It was found in the Villa of the papyrus of Herculaneum. It is conserved in the National Archaeological Museum of Naples
Reduced copy of a mini sculpture donated to the Academy by Carlos III. The original is a marble bust with the head of Heracles of Polykleitos. It was found in the Villa of the papyrus of Herculaneum. It is conserved in the National Archaeological Museum of Naples
Reduced copy of a mini sculpture donated to the Academy by Carlos III. The original is a bronze bust attributed to the goddess Artemis. It was found in the Villa of the papyrus of Herculaneum. It is conserved in the National Archaeological Museum of Naples.
Reduced copy of a mini sculpture donated to the Academy by Carlos III. The original is a marble bust of a portrait attributed to Terentius. It was found in the necropolis of the Herculaneum Gate in Pompeii. It is conserved in the National Archaeological Museum of Naples.
The original white marble sculpture was made in the middle of 1st century A.C. and is kept in the building 'Centrale Montemartini' which belongs to the Capitoline Museums (Rome). It comes from the Lamianos gardens in the Esquiline hill and was discovered in 1874.
Roman copy of a Greek original from the 4th century B.C. (c. 330 B.C.). The original work, in marble of Paros, was discovered in 1792 at the ruins of Gabies, in northern of Italy. It belonged to the Borghese collection until 1807, when it was acquired by Napoleon. Nowadays it belongs to the Louvre Museum (Paris).
The original sculpture was sculpted in marble at the end of the 18th century, after a model in terracotta of Charles-Antoine Bridan (1730-1805) of 1784 exhibited at the Musée des Beaux-Arts of Chartres. At the same time, it is a copy of an ancient Roman sculpture of the Villa Borghese (Rome). The statue belongs to the Royal Academy of Fine Arts of San...
The original sculpture was sculpted in marble at the end of the 18th century, after a model in terracotta of Charles-Antoine Bridan (1730-1805) of 1784 exhibited at the Musée des Beaux-Arts of Chartres. At the same time, it is a copy of an ancient Roman sculpture of the Villa Borghese (Rome). The statue belongs to the Royal Academy of Fine Arts of San...